And how can body laid in that white rush grew from W.B. Yeats theory of history from his divisive 1925 work A Vision.
This piece, an object in augmented reality, poses questions about the creation of historical frameworks, the erosion of historical understanding and orientation through new technologies, and what happens when humanity loses its ability to consider history when faced with the realities of mass extinction. The final AR object incorporated a short film (shot digitally and on 16mm film then digitized) and a sound element (recorded from no input mixing on to tape, then manipulated to degrade).
At the end of the 8 week residency with PIX FILM Gallery, an exhibition and screening of the short film was held at PIX FILM.
This was made with generous support from the Government of Canada, imaa, and the Petman Foundation.
And how can body laid in that white rush grew from W.B. Yeats theory of history from his divisive 1925 work A Vision.
This piece, an object in augmented reality, poses questions about the creation of historical frameworks, the erosion of historical understanding and orientation through new technologies, and what happens when humanity loses its ability to consider history when faced with the realities of mass extinction. The final AR object incorporated a short film (shot digitally and on 16mm film then digitized) and a sound element (recorded from no input mixing on to tape, then manipulated to degrade).
At the end of the 8 week residency with PIX FILM Gallery, an exhibition and screening of the short film was held at PIX FILM.
This was made with generous support from the Government of Canada, imaa, and the Petman Foundation.